Category: Interviews

A Moment With Design Master Eric Giroud

| October 1, 2012 | Reply

Eric Giroud

The world of high-end watchmaking is inherently a complex one and as a result, also quite often a secretive one. That’s why today, courtesy of UK based design agency Theme, we have a special treat for you, an interview with world-renowned watch designer Eric Giroud. For those not familiar with the name, Giroud is the man behind the designs of some of the world’s most exquisite and unusual timepieces, including offerings from MB&F, Harry Winston and many others. In the interview Giroud tells us a bit about his past, how he came to be a watch designer and gives us a rare insight into his creative process.

We hope you enjoy and always please be sure to share your thoughts in the comments section below.

Read More

MB&F’s Max Busser On His Latest Triumph: The M.A.D Gallery

| February 9, 2012 | 1 Reply

MB&F M.A.D Gallery

It’s no secret that MB&F Founder and Creative Director Maximilian Busser marches to the beat of his own drum. He is not influenced by current trends or conventional thinking and as a result has often found himself somewhat of an outcast in a fiercely traditional industry – not that it’s ever bothered him. That is why when we first heard the rumors that MB&F was going to open its first boutique in Geneva we knew it was going to be unlike anything the luxury watch industry had seen before and suffice to say we weren’t disappointed!

Since opening its doors in October last year the M.A.D Gallery has continued to generate a huge amount of buzz thanks to its unique concept and stunning execution and even though it’s early days yet, it seems this will be yet another triumph for the king of the unconventional. We caught up with Max to learn more about this new project and how he sees it developing further in the future.

Here’s what he had to say.

TWL: What does the M.A.D Gallery mean to MB&F and how does it invite visitors to interact with and learn more about the brand?

MB: At MB&F we usually feel like aliens in a world of watchmaking normality, and realized that out there were many aliens like us but in their own worlds defying practicality and common sense. Artists, creators, designers, all who painstakingly created and crafted their own incredible “Machines” which were often overlooked or misunderstood by their environment.   At the M.A.D. Gallery we bring together all these “orphans” to create one jolly family!

For example, by explaining the story of how German “Machine Light” creator Frank Buchwald started crafting by hand from scratch less than ten pieces a year of his incredible Machines, we are in fact in one way talking about us. And by introducing to our MB&F fans these amazing creators/creations we are helping them build an awareness they usually did not have.

TWL: Have you been surprised at the response so far?

MB: Completely and utterly. Because the Gallery is not in the usual “Luxury” high traffic streets, and because for security reasons the door has to remain locked (so visitors must ring to have it opened), we honestly thought we would be happy to welcome 2 to 3 persons a day. From the beginning in October we have averaged from 10 to 30 visitors a day!

And in four months, to our complete shock, we have already sold close to eighty “art” pieces. This of course helps the artists a lot and allows us to work now with them on new developments, sometimes in collaboration, sometimes not.

MB&F M.A.D Gallery

TWL: What is your personal favorite aspect of the Gallery?

MB: That I am able to meet and sometimes help all these amazing creators!

TWL: It has obviously been a long road to get here with countless hours of work involved but looking back can you pinpoint when you first had that moment of inspiration to create this unique concept? What was the catalyst and how much longer did it take before you started putting a plan into action?

MB: I started thinking of this about two and a half years ago. Initially the idea was to curate an exhibition of independent creators around the “Machine” theme– we never thought we could afford to create our own Gallery (and we had no idea how to do it!) but slowly the idea morphed into a joint venture with an existing Art Gallery – So I started pitching Art Galleries about the concept, and none of them understood or caught on to what we were trying to achieve. So, as Winston Churchill said once (about winning the Battle of Britain) “ We did not know it was impossible so we did it !”

By an incredible chance (sometimes I think my guardian angel works major league overtime), this dream location became available 200 yards from our workshops. We had stopped hoping to find a space so we had not included it in our yearly budget – and had to find in our 8 million Sfr revenue practically 700’000 Swiss Francs for the works, rent, employees, works of art and administrative costs when it had not been budgeted. So Serge Kriknoff, my partner in the company and our technical whiz kid, and I took our machete and slashed unmercifully in our investment/overheads projections to find the necessary money. And we did. You cannot even begin to understand how proud and happy I am of what our team has achieved with this Gallery!

TWL: How has the concept evolved over time from the drawing board to a bricks and mortar reality?

MB: It practically has not. My main concern was how to allow such different creations to cohabitate in 65 square meters (700 sqft) without looking like an ugly disjointed circus… But by working with our architect on segmenting pretty formally the “black” part of the Gallery which presents our Horological and Legacy Machines, and the “white” part which is the showcase for all the art pieces, it actually works really well.

Also we worked very much on the lighting – which I believe is key to conveying a cozy and elegant feeling to the whole.

MB&F M.A.D Gallery

TWL: Undoubtedly you faced many challenges along the way, did you ever think about giving up?

MB: Giving up?! No way! I would never have built MB&F if I had even an ounce of that sort of thinking in me.  As my Dad use to tell me, when I was whining as a child “just grit your teeth and get it done!”. I thank him also for that, even though at the time I probably wanted to punch him in the nose!

At MB&F I have gathered an incredible team who find solutions instead of wasting time in identifying and whining over problems.

TWL: You have gathered together a staggering array of incredibly creative and varied artists to exhibit alongside the MB&F timepiece collection, how did you find them and what did you look for when making your selections?

MB: Initially by scouring the Internet while populating our MB&F “A Parallel World” blog over the last five years. In fact most of the pieces we show I owned personally before we launched the project. The M.A.D. Gallery is a little like my own Madhouse.

Then through my travels and meeting my clients around the world who would point me into different directions, like Xia Hang, the Chinese transformer sculpture artist whom I discovered through one of my MB&F collectors who happens also to be one of the foremost Chinese contemporary art collectors.

MB&F M.A.D Gallery

TWL: In your video you hint that this first Gallery could be one in a series with the possibility of opening other locations in the future. Would it be presumptuous for us to assume then that you’ve already started scouting possible new sites? Any hints on which city might play host to the next M.A.D Gallery?

MB: Like with all our MB&F projects it is all about the persons we collaborate with. Since the Geneva opening, a certain amount of clients and retailers have hinted at wanting to develop the same concept in their city. We are of course totally open to this, but it has to be done following the very strict guidelines of our Geneva Gallery, because this is our primary link between us and those who will discover us.

Want to learn more about the M.A.D.ness? Check out MB&F’s website and sign up to the official M.A.D Gallery newsletter to stay up to date with all the latest developments!

Interview With Xetum Founder Jeff Kuo – The Journey So Far

| September 12, 2011 | Reply

Jeff Kuo

In the past few years the global economy has taken somewhat of a battering. Ongoing uncertainty in the global financial markets, increasing levels of unemployment and rapid declines in retail spending have all taken their toll. Invariably small businesses often suffer the most in these tumultuous times. Typically they don’t have much in the way of cash reserves or institutional support and so they really need to rely on their own support networks, the ongoing patronage of their loyal customers and more than anything, finding a way to do what they do better than anyone else. Boutique watch brand Xetum is one such example of a small company, launched in 2009 in the midst of the madness, which has found a way to succeed despite the odds.

Now we’ve always been pretty impressed with Xetum (see our coverage here, here and here), a brand that decidedly walks to the beat of its own drum, and even more impressed with their products and so we caught up with Founder Jeff Kuo to learn how he did it. Here’s what he had to say:

TWL: Your primary goal in creating Xetum was to blend modern design with traditional swiss craftmanship for a reasonable price and it certainly seems you have achieved this. As a small brand though what were some of the challenges you faced along the way and how did you overcome them?

JK: The biggest challenge was getting the design right.  As a new brand starting out with a clean slate, we went through hundreds of variations to get all of the design elements to work well together.  In particular, getting the sizes and proportions right was a challenge.  When we got our first 3D models of the watch case produced, none of the proportions looked right, and we had to tinker with the dimensions numerous times in order to get the proportions where we wanted them to be.

Thinking back, if was nice to have the freedom to take our designs in any direction without preset constraints, but at the same time, narrowing down the design options from ‘anything goes’ down to a specific design aesthetic was a huge challenge.

Xetum Tyndall
The Tyndall by Xetum with off-white dial

TWL: Have you been surprised by the apparent success of your concept and your company so far?

JK: We have been thankful for the reception we’ve received so far from customers and the press. As a newcomer to the industry, we weren’t sure how our collection would be received.  We had received a great deal of helpful input from members of the watch community as we went along, so we knew we had addressed many things that people were looking for.  But even then, we still didn’t know whether people would want to wear our watches on their wrists.  Fortunately, that answer has been yes!

TWL: Beyond the high quality and design of your timepieces what do you attribute this success and growing popularity to?

JK: Our customers often comment on our attentive customer service.  Part of the pleasure of owning a nice timepiece comes from the experience around the watch, and we make great efforts to be responsive to our customers whether they’re visiting our showroom in person, asking a question on our Facebook page or otherwise looking for assistance.

Xetum Stinson
The Stinson by Xetum

TWL: Is your vision for the company still the same as what it was when you first launched in 2009?

JK: It is still largely the same. We set out to offer a collection of automatic timepieces in a modern design aesthetic, with a mid-sized (but still substantial) dimension, and to offer that collection at an accessible price. We plan to continue developing the collection along these lines.

TWL: Finally, the question on everyone’s lips; what’s next!? When can we expect to see a new timepiece from Xetum and can you give us any hints as to what it might look like?

JK: We will soon be offering steel bracelets on our watches.  This has been a popular request from our customers and we’re excited to be able to offer a steel bracelet in the near future.

To see more from this cool, young brand please visit their official Facebook page or their official website: www.xetum.com

The Incredible Story of Raketa Watches

| May 9, 2011 | 4 Replies

Raketa Rodina

Got some spare money taking up space in your bank account? And some free time to spend on your passion; watches? Then come with us, we’re going to show you how to rebuild a brand.

Meet Count Jacques von Polier. First and foremost he is a business man who has called Russia home for more than 15 years. He knows the market, knows the culture, and knows how to make profit from any given situation, which brings us conveniently to today's topic. In a nutshell Russia doesn’t have any authentic, original brands left, be it in the fashion, luxury, or even watch spheres. Yet the country has a rich history of cultivating strong, home-grown labels in all of these areas. This vanishing act resonated with von Polier and so he decided to take action and invest in one of the slowly disappearing categories: watches. Here begins the incredible story of Raketa.

TWL : Why did you choose Russia? There are many other brands looking for outside investment these days, and Russia is well known for not being the easiest place to do business…

JvP: Right, but my main focus is on modern Russia. I live here, and the Country has an incredible history, in maths, literature, industry, etc. But the fact is that there is no real Russian living brand any more, despite this huge legacy.

TWL: Why ?

JvP: The beginning of the 90’s saw the commencement of a period of real wild capitalism. The collapse of the Berlin wall was a real trauma. Many people felt ashamed to be Russian, from that empire that became a simple “country”, and whose economic system had obviously failed. All the manufacturers closed. But there was not many countries in the world with such a watchmaking history. In the 70’s, in terms of quality and quantity, Russia was just behind Switzerland.

TWL: What made you think that a Russian watch brand could live again?

JvP: Because in people’s mind, the Russian watch has always existed and still exists, even if almost all manufactures closed. Moreover, it’s not an exotic item: even before quartz movements, Russia was producing more than 5 million watches per year. A lot of them are still in good hands – and running well!

TWL: What made you choose Raketa?

JvP: Because it was maybe the only manufacture that never stopped its production. It’s based in St Petersbourg and was living upon State’s orders, like many other industries here. But its capital was divided into several parts, privately owned.

Nevertheless, the owners were not interested at all in watches, but on the real estate belonging to Raketa. We must not forget that during the communist era, a manufacture, like many other industries, was built upon a real social perspective, and was part of a global ecosystem that included a school, a hospital, buildings, etc. In the end, the Raketa manufacture as such finally appeared to be the emerging part of a major real estate treasure…that attracted speculators. In the end, the manufacture as such was what was of least interest to private investors. Fortunately it was also what interested me the most.

TWL: What was Raketa like when you bought it ?

JvP: One manufacture, 100 watchmakers, 6000 drawings, no R&D undertaken in 25 years, a know-how, a brand, and one single client, the government. And, needless to say, absolutely no notion at all of ‘money’ or ‘economic efficiency’, let alone mentioning ‘profit’.

TWL: What was your first action as the new owner?

JvP: To delve into the legacy of the brand. I had one real treasure: these 6000 plans of watches, made ‘à l’ancienne’, with black ink on tracing paper. Enough to build from scratch a complete museum!

TWL: Enough to create new models and start thinking about export markets?

JvP: Yes, but that was not my first goal. In fact, my primary market remains Russia itself. The potential is still huge, and unlike past decades, there’s now a nostalgic feeling that pushes the young generation to buy Raketas, as they still sound the same as their grand-father’s watch. Moreover, it remains a reliable product. People still don’t have a lot to spend on a wrist watch, and Raketa is obviously not a jewel of haute horlogerie, but a robust piece that will follow you all your life.

TWL: What’s the economic future of Raketa looking like?

JvP: Well, if we had wanted to be profitable as soon as possible, the best solution would have been to get rid of in-house stuff and integrate ETA movements. Let’s be honest, considering that part of the current capital comes from my personal assets, I seriously considered that option. But, obviously, it would have ruined the spirit and the beauty of the whole story. We finally came to the decision to keep the original movements. The most recent automatic calibre was developed…in 1966! In other words, we had to bridge a 40-years gap in…18 months. Kind of a challenge!

TWL: There was no self-winding movements developed?

JvP: Yes there was. But one day, the Communist Party decided that its people could wind their watches themselves. And from that day, there was no more automatic movements developed. That’s how thing were at that time.

TWL: What does the future hold for Raketa?

JvP: We plan to have a production of 20.000 units this year. We’re moving step by step, but so far we’ve had a tremendous welcome from watch enthusiasts. We have fan clubs in the main European markets, as well as Japan and China. We leverage the history of the brand: last year, we organized a retrospective on famous Raketa’s owners, like Brejnev or Castro. And we were funded by…the Queen of England. Things change!

The official website is undergoing improvements but check it out if you’d like to learn more about this unique brand: www.raketa.su

Olivier Müller – @O_Muller

Hublot Strikes Again – But Have They Gone Too Far This Time? We Ask JCB (EXCLUSIVE)

| December 7, 2010 | 10 Replies

Hublot Bernie Ecclestone

This time, Jean-Claude Biver may have gone too far. Earlier this week, an incredible, almost unbelievable advertisement from Hublot exploded like a virtual bomb on the internet. Although the advertisement has been highly visible on the web for the past few days, it has attracted little comment from the watch community –positive or negative. It’s almost as though both consumers and professionals of the watchmaking industry have been rendered speechless in the face of such brazen, code-breaking brand positioning.

Let us recap the facts for those who may not be familiar with the situation: Bernie Ecclestone, top boss of the F1 world, aged 81, had been severely assaulted two weeks ago during a home invasion by thieves looking for money. Judging by his injuries, our guess is that this elderly English statesman fought like a lion. In the end, his attackers left with his watch, a Hublot F1 King Power.

Already famous, this particular timepiece was about to become infamous, thanks to some rather questionable marketing decisions.

Hublot Bernie Ecclestone

Straight From The Horse’s Mouth
We had the pleasure to talk to Mr Biver today, who happens to be in Miami at the time of writing, and so we are able to give you the complete story straight from the source.

The fact is that Mr Biver and Mr Ecclestone are friends, and surprisingly it was actually the latter who suggested Hublot use his homemade picture (taken with his cellphone) for this campaign. Thus, it seems the idea did not originate from within Hublot.

Secondly, according to Hublot we are talking about a campaign here, as distinctive from a one-off marketing stunt. “Of course it’s not an advertisement, but a series of 3 campaigns. It’s our mission to stand up against hatred, racism, cowardice and violence” explains Biver. The sincerity in his voice suggests this is not a contentious point for discussion, yet one has to observe that at least 50% of the picture is dedicated to the product. This may in fact be intended as a campaign and not an ad, but nonetheless, it is still disconcerting to see how similar the formulae for each are!

Finally, Hublot is not a newcomer to this area, citing their involvement in a similar campaign with another sporting platform. “We already did something similar to this during the Euro Cup, offering our advertising space along the corner lines to the Foundation ‘ Fight Against Racism’”, reminds Biver, highlighting the strong partnership the brand has with FIFA.

Perhaps this evidence of long term involvement might stand as a definitive proof of Hublot’s good intentions?

The Final Word
“In my opinion, we can’t make and sell quality and prestige without denouncing such wild behaviour”, concludes Biver.

We’ve come to know this man quite well. In this instance we were fortunate enough to spend more than just a few minutes with him and as usual, we had a frank, honest discussion. The mere fact that he personally answered our questions while travelling on the opposite side of the globe demonstrates just how personally he is involved in every facet of Hublot’s brand positioning. We also know that he has a compassionate side and is genuinely affected by such despicable, violent behaviour, especially when it is inflicted on an 81 year old defenceless friend.

Even still, we believe this ad – sorry – campaign, was certainly not the best way to reinforce Hublot’s core values. We are not sure that, without a proper explanation from Mr Biver, the message will be conveyed correctly, especially on media platforms such as the International Herald Tribune or the Financial Times, which have been chosen to display this picture.

This campaign will probably not stand as Hublot’s defining moment, but Mr Biver has already proved to us many times before that he constantly looks a decade ahead.

Time will tell.